[Eg0_205] M.A.K.T. Sono : ‘UNK

Since their beginnings in February 2018, M.A.K.T. Sono (Magali Albespy and Kecap Tuyul) have been experimenting with different set-ups and ways of playing. Amongst them, they like to play both on the same instruments / set-ups in the same time. It’s what they did on ‘UNK.0, an improvisation played on a no-input mixer. The other tracks of this EP are electronic compositions by Kecap Tuyul and Doedelzak using this improvisation as only sound material. 

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Direct download links : Wav/ Flac /Mp3/Artwork

Bandcamp mirror

eg0cide.com / eg0_205

[Eg0_204] Ayato : Face à face, épisode 2, saison 1

Face à face, épisode 2, saison 1, the new album of Ayato is the 2nd part of a cut-up recomposition series recorded and mixed at La Ferme Là, Olivet, France between 2015 and 2017. It consists of playing in real time two tapes with two different multitrack recorders, which gives 4 stereo sounds side A in normal play and side B in reverse added to others sounds played depending on which way the wind is blowing with the others devices. Some Loops have been created during the mixing process. Cassettes are from private collection, gifts, prepared and found tapes, archives…

Click on the picture to visit the download page on archive.org

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Full album download links :Wav / Flac /Mp3 /Artwork

Bandcamp mirror

Live 8 mai : Microfusion / Florence Artur & Kecap Tuyul (Tiasci)

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Mercredi 8 mai 2019
Tiasci, 13 rue de l’Acqueduc (porte vitrée)
75010 Paris
20H ouverture des portes
20H30 premier set
5 €
Dans le cadre d’une série mensuelle associant concerts de musiques improvisée/expérimentale et performances “autres”.
L’événement sur facebook


Microfusion

Conte d’avant-garde rétro-futuriste au suspens doux et aux angoisses relaxante

Paul Kauffman – voix, boucles et basse allongée
Bruno Gattegno – voix, boucles et kaos pad

“Au bord de sa cabine le capitaine divaguait. De lents mouvement sourds ajoutaient à son silence des odeurs métalliques …”

microfusion

Premier album


Florence Artur & Kecap Tuyul (performance vidéosonore)

 

Florence Artur : vidéo live. http://www.florenceartur.com/
Kecap Tuyul : interférences électro-sonores. https://kecaptuyul.wordpress.com/

Dans cette performance audio-visuelle, la principale source sonore provient des interférences que le dispositif de Florence Artur (peinture et vidéo numériques travaillées en direct) produisent sur les micros de Kecap Tuyul, sons retraités par une table de mixage configurée de manière peu orthodoxe.
Les deux artistes exploitent également les artefacts et comportements imprévisibles de leurs outils respectifs. Ils donnent ainsi naissance à un dispositif hybride permettant d’expérimenter plusieurs formes de rétroaction entre machines, entre humain et machine, vidéo et son – autant de relations invitant à rechercher diverses stratégies d’improvisation et modes d’interaction.

Video teaser :

Une vidéo plus ancienne de Florence Artur utilisant un morceau de Failure Circle (un projet solo de Kecap Tuyul)

visuel de l’événement tiré d’une vidéo de Florence Artur

[Eg0_203] Anastasia Vronski : Estrangements (volume 2)

Anastasia Vronski is a versatile experimental musician from Perm, Russia. Since years she has been creating an impressive and quite diverse body of work. Many of her tracks can be classified as “drone “or “noise”, but they always have a specific, often intriguing qualities. Above all, she’s not an artist who will do the same twice, and maybe that’s why some of her pieces are sometimes published separately. Since we thought many of them deserved more exposure, we decided to make a selection of such works in a compilation album : Estrangements, published in two volumes. While first one consisted of 4  minimal conceptual pieces, second one is made of 10 shorter tracks focusing on mysterious ambiances and dense sound textures. One of them, “the pack” wasn’t published before and was made specially for this compilation. The selection of tracks was made by the artist and the label, trying to make the compilation as cohesive as possible. We hope it will make you curious to discover more works from her.

Click on the picture to visit the download page on archive.org :

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Direct download links : Wav /Flac/Mp3/Artwork
Free Music Archive mirror (mp3 only)
Bandcamp mirror

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[Eg0_202] z(xW+yV) : 3×2(1W+18V)

z(xW+yV) is a solo project of Kecap Tuyul started spring 2018 while experimenting different ways to generate low volume feedback with small gear : for instance with one contact microphone and one 1W battery-powered amplifier. It was initially thought as lo-fi version of the Failure Circle project with chaotic feedback system of the no-input mixer in a more portable way, but finally took a quite different direction, with a more tactile & acoustic dimension.

3×2(1W+18V) is the first published album of this project. It was recorded in june 2018 with lo-fi means (cell phone and a cheap digital recorder). Each track is a mix of 2 improvisations played with the most primitive form of z(xW+yV) : one contact microphone, one 1W battery-powered amplifier and two guitar effects (overdrive and equalization). The second album with feature only raw improvisations played on more complex versions of the set-up (with 3 or 4 amplifiers), like the latest samples posted on soundcloud.

z(xW+yV) / eg0cide.com

Direct download links :Wav / Flac / Mp3 /Artwork
Free Music Archive mirror (mp3 only)
Bandcamp mirror

 

Live 17 avril : Aurélie Denis / Simonetta Parisi & Kecap Tuyul

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Mercredi 17 avril 2019
Tiasci, 13 rue de l’Acqueduc
75010 Paris
20H ouverture des portes
20H30 premier set
P.A.F. : 5 €
Dans le cadre d’une série mensuelle associant concerts de musiques improvisée/expérimentale et performances “autres”.
L’événement sur facebook

AURELIE DENIS : GLITCH solo
glitch

Auteure et plasticienne, sa pratique fait entrer en résonance écriture, dessin et performance ; c’est une enquête sur les trajectoires, les temporalités et les potentialités d’un corps.
https://aureliedenisblog.wordpress.com/

Ce que devient le mouvement à la lisière du déséquilibre.

Visuel : Christophe Hamery

 

 

 

 

 

SIMONETTA PARISI (SANTOUR) & KECAP TUYUL (GUYMBALE)

Duo de musique improvisée acoustique.

Musicienne (pianiste, compositrice) et danseuse de formation, Simonetta Parisi jouera du santour

http://simonettaparisi.wixsite.com/simonettaparisi

Simonetta Santour

Kecap Tuyul, experimentateur autodidacte, jouera de la guymbale.

https://kecaptuyul.wordpress.com/

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Live 13 mars 2019 (Tiasci, Paris) : Laurent Di Biase / M.A.K.T. Sono

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Mercredi 13 mars 2019
Tiasci, 13 rue de l’Acqueduc
75010 Paris
20H
10 € (repas végétarien et boisson inclus)

En collaboration avec Tiasci, dans le cadre d’une série mensuelle associant concerts de musiques improvisée/expérimentale et performances “autres”. Au programme, deux performances sonores s’intéressant notamment aux relations entre geste et son via divers appareillages électroniques.

L’événement sur facebook.


Laurent Di Biase

 No Sweet Home , Solo pour appareils mobiles

De l’autre côté, la terre immobile où demeurent les nouveaux naufragés.
Travail exclut la sédentarité, maison, sa patrie et loisir économise sa survie.
Les bien-fonds itinérants produisent des expulsions pour les nouveaux nomades.
Dans l’immobilité, le monde est à portée de main.
Les industries meublent l’esprit des condamnés aux rêves forcés.
Quand pour la mobilité et les déplacements, le primitif regarde les homo-digitalis,
Et la mondialisation surveille la pluri-activité des propriétaires de mobile-home.

Laurent Di Biase est un artiste sonore dont les œuvres prennent la forme de performances concerts, de sculptures installations, de compositions électroacoustiques. Fortement inspirée par la culture d’avant-garde, sa pratique s’oriente vers les liens probables entre les arts multimédias et la musique expérimentale. Cette approche transversale et pluridisciplinaire se reflète également dans la diversité de ses performances live.


M.A.K.T. Sono

Duo d’improvisation formé par Magali Albespy et Kecap Tuyul  explorant de diverses configurations de jeu avec un appareillage électronique modulaire propice à la génération de situations instables.
Leur deuxième album,  11 Songs, est constitué d’improvisations enregistrées lors de leur résidence M.A.K.T. Sono (sans sono) qui a eu lieu en novembre 2018 au Magasin – Laboratoire de permanence chorégraphique (Mathieu Heyraud), Saint-Etienne. Ils y jouent avec un dispositif modulaire composé de micros, mini-amplis à piles, synthétiseurs et voix, et intègrent un matériau chanson dans leurs improvisations.

 

 

 

Photos : Anne-Catherine Nicoladzé, Aurélien Digard

[Eg0_201] M.A.K.T. Sono : 11 songs

M.A.K.T. Sono (Magali Albespy and Kecap Tuyul)’s second album « 11 songs » is made of selected and edited improvisations recorded during the “M.A.K.T. Sono (sans sono)” residency at Le Magasin – Laboratoire de permanence chorégraphique (Mathieu Heyraud) – Saint-Etienne – November 4-9 2018.

Since their beginnings in February 2018  the duo has been working with modular set-ups that are likely to provoke unstable situations (like the soundbox, analog synthesizer and no-input mixer used in their first album “If you were a clarinet”).  This time they played with microphones, voices, analog synthesizers, and small battery-powered amplifiers, forming a modular set-up whose elements can be interconnected in various ways. They also experimented the integration of some song-material in their improvisations.
Videos

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Direct download links :

Free Music Archive mirror

Bandcamp mirror

eg0_201 / eg0cide.com

Artwork picture by Kecap Tuyul, taken at the end of the “M.A.KT. Sono (sans sono)” residency.


Bonus: videos

 


Artists Info

Magali Albespy is a dancer and performer. She likes to question the borders between formats and artistic disciplines. She explores real-time composition with body, video and sound.
Self-taught improviser Kecap Tuyul uses various (and preferably unstable) tools, looking for ways of playing and interacting (with sounds, with other media, with other people) and questioning the traditional ideas of instrumental mastership and composition.

M.A.K.T. Sono

band picture by Anne-Catherine Nicoladzé

 

[Eg0_200] The perfect failure (?) vol. 6 : Imperfect failures

Even bad things come to an end! This is the 6th and last volume of the perfect failure (?) / l’échec parfait (?). I must admit I failed to find any real or perfect failure among all the sounds submitted. Each of them inspired me for building interesting sound blocks, imagining new composition tactics, blurring the distinction between what I can find “good” or “bad” – although I won’t deny that many of these sounds were somehow headache-inducing when played on repeat while working on this 5 hours long mix.

Will you love-hate all these “Imperfect failures” as much as I did while patiently gathering them during 7 years? Probably it is and unbearable listen, and probably it is not bad enough yet. In all cases,  the egocidal aim to create some kind of failurological artistic practice has imperfectly failed, it is time to move on. For instance, concerning the editorial line and submission policy of eg0cide productions, there is a kind of failure that I really dislike and want to correct : the under-representation of female artists in the back catalog. You can read more about this in the page about our new  submission policy.

Many thanks to all the contributors who trusted me enough to send their secret / questionable material :  3/2, A.D. du nord, Ayato, Benoît RouitsCharles premier, Cocotte Sapiens, David Pomlait, Doedelzak, Extrasystole, Gavin Prior, Half Evidence, Hellsings, Janne Nummela, Jules Valentin, The Kiriks, Luxalove, M.A.K.T. Sono, Mata-Hari, Natalia Kamia, Onde Poussière, Philippe Desclais, psph.S, Siu, tay_ploops, Torbill, Xavier Mussat, XtetX Ensemble, Yoshiwaku, 3HNT– and some anonymous people. I shamelessly contributed to this with some of the worst recordings of my solo projects Kecap Tuyul and Failure Circle.

Click on the picture to visit the download page on archive.org (Unfortunately, the archive.org player is glitchy with long tracks like this one. For a smoother listening, we recommend to download the album)

Full album download links

eg0_200 / eg0cide productions

[Eg0_199] Half Evidence : Veines

Half Evidence (a french free improvisation duo formed in 2012 by Charles premier & Kecap Tuyul) is currently on hiatus since summer 2016, but their story isn’t finished. Amongst hours of  material created between 2012 and 2016 they have selected a few tracks recorded in april 2013, gathered in a new album : Veines. In these sessions, Charles premier played several of his home-made instruments, while Kecap Tuyul used prepared guitar and voice.

Click on the picture to visit the download page

Full album download links :

Free Music Archive mirror

Bandcamp mirror

 

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