spilled, recorded & buried in 2011
exhumated in 2018
direct download links
Failure Circle (un projet solo de Kecap Tuyul) est invité à donner son premier live solo le 17 février dans le cadre d’une soirée organisée par le label Apocope / Xavier Mussat. Ce concert marque le début d’un projet de collaboration entre eg0cide productions et Apocope pour la publication conjointe d’enregistrements documentant la scène musicale expérimentale francilienne actuelle…
https://www.facebook.com/events/331903510634635/
Apocope propose une soirée concert en crescendo :
Un solo, un duo et un trio.
Avec
FAILURE CIRCLE
(Kecap Tuyul : machine/mixer-no-input).
– Table de mixage bouclée sur elle-même + effets branchés de travers avec des jacks pourris
= bruit fragile / silence instable / glitch analogique
https://kecaptuyul.wordpress.com/solo-projects/failure-circle/
https://eg0cide.com/2017/09/12/eg0_167-failure-circle-0x0-0/
——
GODJIRA
(Frederik Galiay : basse + Benjamin Pagier : basse).
– Deux basses électriques dans le même ampli-totem-monolythique.
Une poésie “ogrèsque” fouillant dans les retranchements reptiliens du monstre radioactif en marche.
Creusant dans la matière brute et massive jusqu’à de la dentelle aiguisée, les deux musiciens proposent ici une musique où la douceur et la fureur sont au même plan, dans les méandres et les gouffres-affres qui, certainement virent naître le dernier représentant d’une espèce de dinosaures théropodes ;
Godjira.
https://vimeo.com/124915982
——
UGUT
(Augustin Bette : batterie + Basile Naudet : sax + Xavier Mussat : guitare électrique).
–…
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Depuis 2008, L’Espace des Arts Sans Frontières propose en ses murs de nombreuses manifestations artistiques et culturelles: expositions en tous genres, projections vidéo, danse, concerts de musique expérimentale, improvisée, contemporaine, bruitiste… Il a vu passer et laisser entendre des centaines de musiciens et groupes, variés et divers, rencontres ou formations établies, en plein coeur de Paris.
Il est actuellement en proie à des difficultés diverses , et notamment financières. Plusieurs collectifs (Infuse, XtetX …) ou individus habitués de l’endroit font cause commune afin de proposer une soirée de concert representative des différentes tendance qui s’y expriment.
L’intégralité des recettes reviendra à Madame Lee, l’hôtesse des lieux, afin de renflouer tant que possible les caisses et permettre à l’aventure de continuer.
Alors, venez nombreux, soutenir la musique libre et vivante!
Le 4 février
Espace des Arts Sans Frontières
44, rue Bouret, 75019 Paris
Portes: 19h
Musique: 19h30
Tarif:
de…
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Jukpic is a duet of Benoît Rouits (Oboe) and Kecap Tuyul (no-input mixer with effects). They started to improvise regularly together in summer 2017. This is their first album, made of four unstable cocktails: it’s spicy & fruity – to be served very fresh.
Click on the picture to visit the download page on archive.org :
direct download links
NB: Jukipic also publishes some tracks sometimes on their soundcloud page
Le cadavre du chat noir is the 5th volume of the perfect failure (?) / l’échec parfait (?)
featuring Antropik, Ayato, Benoît Rouits, Charles premier, Deltanik, Delikbeyin, Doc Demagol, Doedelzak, Extrasystole, Half Evidence, Herr DJ Deppenhorst, Janne Nummela, Jeremy from Boise, Natalia Kamia, psph.S, roger mpr, Siu, Slo-blo, Torbill, Sysma, Kecap Tuyul , XtetX Ensemble, Yoshwaku, 3HNT– and some anonymous contributions
We still think this stuff is not bad enough. We have to make something worse, so your contributions are still welcome for next volumes. Don’t be shy and send us your most disastrous sounds.
The rules are simple : send us the sound(s) you consider being the worst (boring / badly recorded / unbearable / laughable…the criteria are totally subjective and entirely up to you) you’ve ever created/recorded and that you haven’t still destroyed – for any (preferably bad) reason(s). We won’t make a compilation of these tracks, but a single
piece mixing the submitted sounds.
The paradoxical goal of this project is to achieve “something” out of this sum of failures – the “perfect” failure? But if we reach this goal, wouldn’t it be a failure? And if we fail, wouldn’t it be a success? Should we try to make it even worse than the isolated elements?
Click on the picture to visit the download page on archive.org
Full album download links
Review by KN on “Yeah I know it sucks”
It appears that If you happen to be a masochist that likes their heads filled with anything bad, boring, annoying, annihilating or sheer craziness than you might have been in luck today. Cause that is what this new kind of conceptual work seems to be all about; bringing the worst of the worst together in a singular track, as if it’s all chewed up for a precise little consumable flogging that “normal” consumers would probably would like to avoid as if it’s the plague, but failing fools might thrive in. However not everything is what it seems cause… well I tell you later…let me mumble some more on the concept of this production:
A lot of deprived and crazy artistic loving people have come together to send in all their worst possible sounds, (no genre limitations or clearly chewed out rules) and the person behind the project melted all these snippets of pure awfulness together like some kind of insane alchemist that instead of trying to create real gold, had been working hard to create the ‘perfect failure’. Which indeed upon its own success would make the perfect failure null and void as than it wouldn’t be so much of a failure anymore. Deep stuff, eh?
For this massive golden failure the sounds of Antropik, Ayato, Benoît Rouits, Charles premier, Deltanik, Delikbeyin, Doc Demagol, Doedelzak, Extrasystole, Half Evidence, Herr DJ Deppenhorst, Janne Nummela, Jeremy from Boise, Natalia Kamia, psph.S, roger mpr, Siu, Slo-blo, Torbill, Sysma, Kecap Tuyul , XtetX Ensemble, Yoshwaku, 3HNT– and some anonymous contributions have been supplied. A whole bunch of artists we never heard off and a handful of ones that might rang the bell of recognition over here. Kudos to the alphabetic order of all these contributors, it really makes the creator of the project look like a person who knows what it is doing.
So now… how does it sounds like? I mean that’s what we are here for, right? I guess I have to wear some kind of a anti hazard kind of suit for safety and protection. After all these warnings… I mean, I’m not totally a masochist and with this promised load of wading through the worst and purest shits does come across like something that might not be so beneficial for a listener’s health. That said; it is probably very healthy for the artists involved, as nothing helps better for creative people to throw out their garbage once in awhile & knowing that it gets used well in some kind of weird experiment…
Anyway, it took some time to get the suit on, but after some meditation and reading a few ‘self help’ books I went for it.. facing the failure as if it was a shower whose water had been exchanged with feces of pure disgust. Shit; I had forgotten to put a peg on my nose in order to avoid the unforgivable stench that would come along. But strangely naked as I stood in this pool of instant insanity I must say that I couldn’t say anything bad! It didn’t even smell bad!
In fact I was quite overwhelmed by the sensible idiotic questionable sound show, a collage that seem to give me a crazy story that went from eerie crap Hollywood movie strings, opera disgust, absent avant-garde ramblings, distorted fuzz, the lower keys of the piano, the annoyances of the guitarists, the out of tune strangeness that brushes its teeth as other drone like seventies melodies flow out and about, to Mexican whistlers, brilliant insanity and clearly the unthinkable all matched together.
Somehow this collection of failing music bits don’t seem so bad after all. Together they become a quite manageable experience of Squeezing doors, French terraces loaded with people, street wise accordion players, someone sweeping the floor, some kind of shoe souls being scratched, rolls of duck tape being rolled out, dubious alien sounds from outer space, terrible chip tune sounds & crappy field recordings, telephone loops, idiotically ‘happy fun’ as sung by deranged toy ducks, ambient horrors, stained piano keys, the twinkling tickles of string instruments, unexplainable noises, menacing electronics, bad techno, the sound of teaspoons, nonsensical dada poetry, new age nonsense, French speaking voices, robot blobs, ear piercing oddities and gosh what not… ? I guess someone’s torments are a other person’s delight. Differently framed: someone’s trash might be golden precious sensations to someone else. Another person’s personal hell might be heaven for another… you get the point!
To me, personally… this was a brilliant listening experience. There was no need for the biohazard suit, a masochist, or the slight fear of being flushed and showered with poop; in fact it was a entertaining collage that in all their togetherness brought out some kind of surreal beauty. So if the idea behind this release would have been to create a unlistenable turd of annoyances, the project had failed as it’s a complex, interesting and surreal audio collage that feels much more inspiring than you would expect when you read all the warning words.
It’s in fact a perfect trip in audio form, probably best to experience while under the influence of some magic shrooms, although it is trippy enough on its own, ready to get your mind teleported to the land of pleasant insanities. It feels weird to say it, but I do really recommend you to hear this release as it’s perfect audio entertainment for all.
various artists – The Perfect Failure (?) Vol 5 : Le Cadavre Du Chat Noir
Plusieurs concerts avec des habitués d’eg0cide (Kecap Tuyul, Geosmin) à signaler fin 2017.
Cocotte Sapiens, nouveau duo de Kecap Tuyul avec Jossé Pas ouvrira cette soirée où jouera un trio inédit de trois improvisateurs aguerris: Sébastien Bouhana (caisse claire), Benjamin Duboc (contrebasse) et Jean-Sébastien Mariage (guitare)
Lundi 27 novembre 2017
à l’Espace des Arts Sans Frontières
44, rue Bouret, 75019 Paris
(metro Jaurès, lignes 2, 5 et 7 bis)
Prix : participation libre
Ouverture des portes à 19h30
Début du concert à 20h
Programme détaillé
Page facebook de l’événement
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Geosmin (dont nous avons publié l’album Adrift in the Backland) et Mesce (collectif de 5 musiciennes incluant Sig Vx alias X_pharmaka, membre de Sysma ) partageront la scène avec Maninkari, duo ambient/expérimental à ne pas rater tant leurs concerts sont rares malgré plus de 10 ans d’existence.
Jeudi 7 décembre octobre 2017
à l’Espace des Arts Sans Frontières
44, rue Bouret, 75019 Paris
Prix : 4 euros
Ouverture des portes à 19h30
Début du concert à 20h
Vague Seconde, the second album of Onde Poussière, documents the group’s evolution since their beginnings and their first album Silent Rain. Doedelzak now plays interconnected analog synthesiszers, and Kecap Tuyul has dropped the guitar and uses a “no-input mixer” with effects. Their improvisations are based on the creation of unstable situations in which some accidental sounds might happen at any time…
Click on the picture to visit the download page on archive.org :
direct download links
Plusieurs concerts avec des habitués d’eg0cide (Doedelzak, Kecap Tuyul…) à signaler en octobre
Ce sera le premier concert d’Onde Poussière dans sa nouvelle version, plus chaotique, plus agitée (Kecap Tuyul ayant mis de côté la guitare préparée au profit d’une table de mixage bouclée sur elle-même) et probablement le dernier avant très longtemps puisque l’autre membre du duo, Doedelzak, s’éloignera. Leur 2ème album “vague seconde” sera publié par eg0cide le 15 octobre, et disponible ne version cd-r lors du concert. Un extrait:
Le vendredi 13 octobre 2017 à l’Espace des Arts Sans Frontières
44, rue Bouret, 75019 Paris
(metro Jaurès, lignes 2, 5 et 7 bis)
Prix : participation libre
Ouverture des portes à 19h30
Début du concert à 20h
Page facebook de l’événement
_____________________________________________________________________
Doedelzak jouera également le 20 octobre (en duo avec Xavier Mussat) à l’occasion d’une soirée “hors série” du XtetX qui mêlera musique minimaliste, musique bruitiste expérimentale et jazz contemporain.
Le vendredi 20 octobre 2017 à l’Espace des Arts Sans Frontières
44, rue Bouret, 75019 Paris
(metro Jaurès, lignes 2, 5 et 7 bis)
Prix : participation libre
Ouverture des portes à 19h30
Début du concert à 20h
Our old collaborator Stillborn Blues emailed this morning about a 5 years old release project that had been programmed / delayed / canceled many times. It is now available.
If someone wants further pseudo-explanations, here they are (awkwardly translated from poor french to shitty english):
“Hello
I’m sorry I haven’t written for so long…but after all you haven’t either. I somehow thought you were over with all this shit. And as one of our old friends told us, it’s always too early or too late for worrying.
I’ll understand if you ignore me or tell me to go fuck myself, considering I’ve already changed my mind several times about this release project since 2012 (2011??). But now I’m positively OK to publish “Prétextes” if you’re still into it. I dare to ask since it seems eg0cide is back at work, and more and more shifting its focus towards “failure” – or maybe it is just a return to its roots, old lo-fi (absence of) style and “who cares” mood?
Anyway I won’t change anything anymore to the mixes and playlist. Why bothering tweaking something that’s weak/rotten/failed to the core? It’s just another “imperfect failure”.
I have no descriptions idea for this album, you can use (bits of) this message if you want.
Thanks”
Full album download links
Le vendredi 13 octobre 2017 à l’Espace des Arts Sans Frontières
44, rue Bouret, 75019 Paris
(metro Jaurès, lignes 2, 5 et 7 bis)
Prix : participation libre
Ouverture des portes à 19h30
Début du concert à 20h
Page facebook de l’événement
Tom Malmendier est un musicien et improvisateur belge.
Farida Amadou et Tom forment à Liège le duo Nystagmus et sont membres de L’Oeil Kollectif (www.loeilkollectif.com). Ensemble ou séparément ils se produisent en Belgique et dans toute l’Europe et ont partagés la scène avec des musiciens tels que Linda Sharrock, Jean-Luc Guillonet, Jean-Sébastien Mariage, Balasz Pandi, Morgane Carnet, Basile Naudet, Timothee Quost, Audrey Lauro, Alan Courtis,…