As the (sub)title of his new EP suggests, Massimo Brazzini continues to explore the subconscious of sound (and the sound of subconscious?). Fantasmatica offers a deep inner trip into a world full of strange and familiar shadows.
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While Kecap Tuyul‘s previous album Tunnel Songs was the result of years of slow work, Trois Clous documents it’s rawer improvisations with voice and prepared guitar. Each track was recorded in one day, 2 of them contain no overdubs at all.
Three outlines of an obscure world, where echoes of ritual industrial, subdued bits of minimalist repetitive noisy rock, feedbacky drone (or is it drony feedback) get mashed in in a halo of lo-fi murkiness…
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Credits
All tracks are completely improvised
1 : prepared guitar & voice improvisation recorded 5 may 2015 (no overdubs)
2 : prepared guitar & voice improvisation recorded 3 january 2015 + 1 guitar overdub recorded the same day
3 : prepared guitar & voice improvisation recorded 3 january 2015 (no overdubs)
mixed by Kecap Tuyul january-september 2015
http://kecaptuyul.wordpress.com/
final mix by Sobria Ebrietas, september 2015
99% of us is noise
sobriaebrietas@gmail.com
http://sobriaebrietas.tumblr.com/
https://99percentofusisnoise.wordpress.com/
Parker Weston is a multimedia artist creating music as Stembreo. In The Catamite he teamed with ZH (Zach Hallquist ) to create an amazing multidimensional soundcape. While most of the tracks are based on melancolic dark ambiences, they are often enhanced and distructured by unexpected sound-collages.
A rich and disorienting work that deserves several listenings to fully apreciate its paradoxical coherence.
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[Temporary notice : there are technical problems lately with archive.org uploads (especially with some flac files). So for the moment I recommend to download the flac version from bandcamp. Please remember that bandcamp is a commercial site that is mostly interested in your money. If you like eg0cide productions and want to support non-profit organization , please donate to archive.org , it will help them to provide a better service.]
Credits
Zachary Hallquist- guitar, keyboards, electroacoustics, tapes, bass guitar
Parker Weston- electroacoustics, sampling, modulars, turntables, radio, toys, brushes, gym, plastic, scraping, vocals, artwork
Cover art: “Coaching Pearls on the Skeleton Coast”
Aditional insighths by the artists :
ZH (Zach Hallquist)-
“This collaboration allowed me to work outside of the normal constraints I have when creating music. Typically ZH’s music is calculated/measured, but with Stembreo’s influence/inspiration I was able to let things happen in a more free form manner.”
Parker Weston-
“Stembreo operates like an audio virus, regardless of genre, more reactive than creative, and that only works to my advantage if I’m careful not to let it obscure those I collaborate with, whom are essential to the evolution of my work. Zach’s music brought a certain austere discipline to my audio fuckery that I will take with me no matter what new musical hosts Stembreo encounters and tangos with.”
Your old “friend” Eurovision Über Alles invites you for a ride on his new mystery train. Don’t say no. Satisfied or your money back.
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4 years after the EP Box of Matches (in collaboration with Meklabor), Ars Sonor comes back on eg0cide with a full length album based on field recordings made near the Baltic Sea (Himmerfjärden and Baggensfjärden) in May 2012 and May 2013 respectively, lake Mälaren in June 2013, and lake Trekanten in September 2014.
Here we have 4 spacious soundscapes that grow slowly layer after layer and offer not only deep drones but also a hint of atmospheric post-rock. The flawless sound production and the emotional richness of Sjoärna make it a piece of choice for the pickiest amateurs of ambient music.
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Playing for Oblivion is an experimental ambient project by Boban Ristevski. His EP Stones offers 2 tracks of minimalist and melancolic drone. A solemn, simple and effective soundtrack for autumn.
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In our times, it is hard to still believe in something like “harmony of the spheres”. Instead, people like Cody Ban (a duo featuring Lorsen Lo (aka Slo-Blo) and Iban Call) try to extract some kind of “beauty” from the depths of some subdued rumbling chaos. Using only guitars (with a bunch of stompboxes effects) they produce some of the most adventurous and cosmic drone guitar music I’ve heard since a long time. Piece after piece, their nicely titled-album Sustained Neighbor-tones Drowned By Microtonal Undulationsunveils unveils hypnotic sonic waves that ondulates slowly beyond the surface, leave discret shimmering trails in a wide resonating space, and sometimes roar like a bleeding stellar beast. For people who need some name-dropping, let’s say Cody Ban is like a missing link between Maeror Tri’s abysmal guitar soundcapes and the shoegazey sounds of FSA or Windy & Carl.
Recorded & mixed by Iban at Asla Recording in august 2015
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We are glad to publish the fst EP of Rama Yakub, an Indonesian noise and ambient music project of Dani Satria, from Jakarta. Time, the deer, is in the Wood of Hallaig consists of 4 ghostly folk songs that seem to be broadcasted by a parasited radio station from an imaginary but strangely familiar world. A raw, lo-fi, addictive and intriguing debut that makes us curious to hear more…
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Doedelzak is a french musician (pianist / composer / improviser) who recently came under eg0cide’s radar, thanks fo “friends of friends” who led him to participate to the free improvisation collective XtetX since may 2015. Through his diverse musical tastes (early “krautrock”, electronica, traditional musics from various regions of the world, contemporary & medieval composers) and activities, Doedelzak focuses on the use of a few elements (intervals, rythmic patterns, sonorities) without favouring a precise era or style. In his first “officially” published album Wandering in Dust the only sound source used is the virtual synthesizer Synth1 created by Ichiro Toda. Its two long melancolic droney tracks respond to each other, in a thoughtful, and restrained way, that could remind some minimalist composers like Terry Riley. Despite of these possible reference points, a close listening will let you hear a personal, mature voice that could be expressed by other forms and sounds.
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This 2nd album of the XtetX was recorded before the first published one Nabemono (recorded in may 2015). At this time (november-december 2014), the XtetX had no name yet, and comprised only 3 members : Jules/Valentin, Kecap Tuyul and Missing O. Their will to play with other improvisers progressively led them to define themselves as an open collective with a variable team, rather than a band with a permanent staff.
The title (2X2)² is an allusion to the album 2X2 (eg0cide productions, 2012) which contained two duos of Kecap Tuyul, one with Charles premier (who later became his partner in Half Evidence), one with Mathew Tyas. This new album also contains two duos of Kecap Tuyul, one with Missing O, one with Jules/Valentin. Like in the first volume, these were the first recordings of these duos.
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