[Eg0_154] Onde Poussière : Silent Rain

Doedelzak and Kecap Tuyul met in spring 2015 thanks to improvisation sessions of the XtetX Collective. They then decide to play as a duo that wants to develop a more focused sound :  Onde Poussière . Their music relies on a careful mutual listening and a quite restrained palette. It gives a particular attention to contrasts, silences, subtle shifts – but can also be quite agitated and even noisy sometimes. Their first album Silent Rain consists of 2 unedited improvisation recorded on october 2015.

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Credits:

Doedelzak : analog synthesizer
Kecap Tuyul : prepared guitar

Artwork by Doedelzak
Mixed by Kecap Tuyul


Silent Rain has been used by visual artists Florence Artur in her abstract video “The River” in 2018


Reviews

David Nemeth / Acts of Silence (january 2, 2016)

“(…) Tuyul has an extensive discography of working with other musicians and is known for his playing on prepared guitar, though thinking of him solely as a guitarist would be preposterous. His journeys in sound, whether solo or others, are always quite good. After finally listening to Doedelzak’s Wandering in Dust, it was no suprise that Doedelzak and Tuyul worked well together on Silent Rain.

The first track, “Skipped Slices”, begins quietly, directing us down an ambient path. But as Doedelzak calls out to Tuyul, Tuyul responds with an answer that in itself is a call to Doedelzak, and he repeats this call wrapped in an answer. The duo quickly turn our ambient journey into the subtle and not-so-subtle noises of daily life. There are interferences, jolts, and even some pleasantness. “Silent Rain”, the second track, begins even more quietly than the first, with Doedelzak on the synth. But at this point, the listener should not be fooled by this lull, as Tuyul and his guitar scrape into the soudscape like a wounded man walking down a dark alley. Somwhere around the 4 minute mark things begin to get even more weird which is never a bad thing. “Silent Rain” comes crashing down half-way through only to regroup itself for future strangeness. Doedelzak and Tuyul’s musical wanderings may be filled with indirectness, even randonmenss, but it is their response to the other’s chaos that brings the music into one sound and makes Onde Poussière’s Silent Rain worth your time.”

http://www.actsofsilence.com/album-review/onde-poussiere-silent-rain/

Continuo’s documents (january 6, 2016)

“Silent Rain is the first full-length release by Onde Poussière, the duo of Doedelzak (synthesizer) and Kecap Tuyul (guitar), two young Parisian improvisers, both members of the XtetX collective emerging in 2015 to gather improvisers of various origins and organize live meetings and performances in Paris venues.

An exploration of abstract textures for guitar & synth, Silent Rain is comprised of two massive 25-28mns tracks, though not the impenetrable monoliths one might expect from improvising musicians, the music here being carefully sequenced into distinct, successive phases and pauses. Tuyul plays prepared, tabletop guitar à la Keith Rowe while pianist and keyboard player Doedelzak apparently plays a computer emulated, analog synth named Synth1 – developed by Ichiro Toda, see YouTube demo–, as he used on his own solo release Wandering in Dust, also in 2015.

Silent Rain’s first track is build on multiple convolutions, conflagrations and juxtapositions of the instruments – at times I was reminded Thomas Lehn’s own EMS Synthi A improvisations. The second track evolves in more sinuous textures and glacial sounds, both seductive and unsettling to the ear. This release’s FLAC version is particularly gratifying in this respect, what with the deep, spacious sounds of the analog synthesizer and the cavernous resonances of the prepared guitar. Excellent debut release by a promising French duo. “

http://continuo-docs.tumblr.com/

[Eg0_152] Kecap Tuyul : Trois Clous

While Kecap Tuyul‘s previous album Tunnel Songs was the result of years of slow work, Trois Clous documents it’s rawer improvisations with voice and prepared guitar. Each track was recorded in one day, 2 of them contain no overdubs at all.
Three outlines of an obscure world, where echoes of ritual industrial, subdued bits of minimalist repetitive noisy rock, feedbacky drone (or is it drony feedback) get mashed in in a halo of lo-fi murkiness…

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Credits

All tracks are completely improvised
1 : prepared guitar & voice improvisation recorded 5 may 2015 (no overdubs)
2 : prepared guitar & voice improvisation recorded 3 january 2015 + 1 guitar overdub recorded the same day
3 : prepared guitar & voice improvisation recorded 3 january 2015 (no overdubs)

mixed by Kecap Tuyul january-september 2015
http://kecaptuyul.wordpress.com/

final mix by Sobria Ebrietas, september 2015
99% of us is noise
sobriaebrietas@gmail.com
http://sobriaebrietas.tumblr.com/
https://99percentofusisnoise.wordpress.com/

 

[Eg0_151] ZH & Stembreo : The Catamite

 

Parker Weston is a multimedia artist creating music as Stembreo. In The Catamite he teamed with ZH (Zach Hallquist ) to create an amazing multidimensional soundcape. While most of the tracks are based on melancolic dark ambiences, they are often enhanced and distructured by unexpected sound-collages.
A rich and disorienting work that deserves several listenings to fully apreciate its paradoxical coherence.

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ZH & Stembreo - The Catamite - 000

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  • Flac (to be updated)
  • Mp3

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[Temporary notice : there are technical problems lately with archive.org uploads (especially with some flac files). So for the moment I recommend to download the flac version from bandcamp. Please remember that bandcamp is a commercial site that is mostly interested in your money. If you like eg0cide productions and want to support non-profit organization , please donate to archive.org , it will help them to provide a better service.]

Credits

Zachary Hallquist- guitar, keyboards, electroacoustics, tapes, bass guitar
Parker Weston- electroacoustics, sampling, modulars, turntables, radio, toys, brushes, gym, plastic, scraping, vocals, artwork
Cover art: “Coaching Pearls on the Skeleton Coast”

Aditional insighths by the artists :

ZH (Zach Hallquist)-

“This collaboration allowed me to work outside of the normal constraints I have when creating music.  Typically ZH’s music is calculated/measured, but with Stembreo’s influence/inspiration I was able to let things happen in a more free form manner.”

Parker Weston-

“Stembreo operates like an audio virus, regardless of genre, more reactive than creative, and that only works to my advantage if I’m careful not to let it obscure those I collaborate with, whom are essential to the evolution of my work. Zach’s music brought a certain austere discipline to my audio fuckery that I will take with me no matter what new musical hosts Stembreo encounters and tangos with.”

 

[Eg0_149] Ars Sonor : Sjöarna

4 years after the EP Box of Matches (in collaboration with Meklabor), Ars Sonor comes back on eg0cide with a full length album based on field recordings made near the Baltic Sea (Himmerfjärden and Baggensfjärden) in May 2012 and May 2013 respectively, lake Mälaren in June 2013, and lake Trekanten in September 2014.

Here we have 4 spacious soundscapes that grow slowly layer after layer and offer not only deep drones but also a hint of atmospheric post-rock. The flawless sound production and the emotional richness of Sjoärna make it a piece of choice for the pickiest amateurs of ambient music.

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[Eg0_147] Cody Ban : Sustained Neighbor-tones Drowned By Microtonal Undulations

In our times, it is hard to still believe in something like “harmony of the spheres”. Instead, people like Cody Ban (a duo featuring Lorsen Lo (aka Slo-Blo) and Iban Call)  try to extract some kind of “beauty” from the depths of some subdued rumbling chaos. Using only guitars (with a bunch of stompboxes effects) they produce some of the most adventurous and cosmic drone guitar music I’ve heard since a long time. Piece after piece, their nicely titled-album Sustained Neighbor-tones Drowned By Microtonal Undulationsunveils unveils hypnotic sonic waves that ondulates slowly beyond the surface, leave discret shimmering trails in a wide resonating space, and sometimes roar like a bleeding stellar beast. For people who need some name-dropping, let’s say Cody Ban is like a missing link between Maeror Tri’s abysmal guitar soundcapes and the shoegazey sounds of FSA or Windy & Carl.

Recorded & mixed by Iban at Asla Recording in august 2015

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[Eg0_146] Rama Yakub : Time, the deer, is in the Wood of Hallaig

We are glad to publish the fst EP of Rama Yakub, an Indonesian noise and ambient music project of Dani Satria, from Jakarta. Time, the deer, is in the Wood of Hallaig consists of 4 ghostly folk songs  that seem to be broadcasted by a parasited radio station from an imaginary but strangely familiar world. A raw, lo-fi, addictive and intriguing debut that makes us curious to hear more…

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[Eg0_145] Doedelzak : Wandering in Dust

Doedelzak is a french musician (pianist / composer / improviser) who recently came under eg0cide’s radar, thanks fo “friends of friends” who led him to participate to the free improvisation collective XtetX since may 2015. Through his diverse musical tastes (early “krautrock”, electronica, traditional musics from various regions of the world, contemporary & medieval composers) and activities, Doedelzak focuses on the use of a few elements (intervals, rythmic patterns, sonorities) without favouring a precise era or style. In his first “officially” published album Wandering in Dust the only sound source used is the virtual synthesizer Synth1 created by Ichiro Toda. Its two long melancolic droney tracks respond to each other,  in a thoughtful, and restrained way, that could remind some minimalist composers like Terry Riley. Despite of these possible reference points, a close listening will let you hear a personal, mature voice that could be expressed by other forms and sounds.

Click on the picture to visit the download page on archive.org :

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